Reviews

Die Walküre, Landestheater Coburg, 2022

 

“The vocal discovery of the night was the young Swedish soprano Åsa Jäger, who sang Brünnhilde with clarion tone, crisp diction, and infectious zest. This run of performances marks not only Jäger’s German début but also her début in any Wagner role. I suspect that later in her career she will look back fondly on Coburg, where her ascent began. The ultimate appeal of operagoing in Germany is to see a venerable art form experiencing continuous rebirth”. – The New Yorker – June 2022

 “(…)and with Åsa Jäger there is a great Brünnhilde on the small stage, which many larger houses should envy Coburg. So much tenderness with so much dynamic range and height, so much ladylike, yet youthful vocal elegance with so much dramatic sincerity: this is how a young Brünnhilde must sound”. – Der Opernfreund – June 2022

The cast of soloists is very well balanced with a mixture of in-house forces and a number of guests at a high level with many role debuts. Åsa Jäger as Brünnhilde impresses the premiere audience (…) with her assertive soprano and haunting interpretation (…). – Fränkischer Tag Kritik von Jochen Berger – April 2022

Among the guest soloists, one in particular stood out at the premiere: Åsa Jäger as Brünnhilde. The young Swede not only mastered the role (…) with remarkable verbal comprehensibility, but also sang her very first Hojotoho with such a lively lightness, confidence in the high notes and penetrating power that it was a real joy. She also succeeds in portraying a compelling role that requires concentration, strength, talent and courage. Bravura, a stroke of luck from a Wotan child!
– Bamberg Richard Wagner Verband – April 2022

 “First and foremost, we should mention the young Swedish soprano Åsa Jäger, who lets her luminous voice resound powerfully and expansively as the wild Valkyrie, only to let soft, lyrical tones be heard in the final touching dialogue with the father”. – Neue Presse – April 2022

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